
Living
1971

Representation Score
Minimal
1969
Director
Frans Zwartjes
Runtime
16 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Anamnesis is a minimalist, experimental drama that prioritizes psychological abstraction over social commentary. The film centers almost exclusively on the cyclical tension and interpersonal volatility between two protagonists, Trix Zwartjes and Lodewijk de Boer. Since the narrative revolves around the push-and-pull of attraction and rejection between a man and a woman, its scope is narrow. The film functions as a study of human connection rather than a vehicle for diverse representation. Ultimately, the work lacks documented diversity across racial, disability, and LGBTQ+ categories, focusing instead on a singular, intimate psychological experience.
Category Breakdown
The film focuses on a relationship between a man and a woman. There is no evidence of same-sex relationships or non-cisgender identities.
The narrative features a reciprocal dynamic between male and female leads. It remains unclear if the film challenges or reinforces traditional gender roles.
The available information provides no details regarding the racial or ethnic composition of the cast. The focus stays on the two main characters.
The film uses psychological abstraction rather than traditional morality-driven plots. However, it lacks explicit cultural or secular themes.
There is no mention of physical disabilities, neurodivergence, or mental health conditions. These elements do not serve as central narrative drivers.
Present on Screen
Limited or Absent
Official Synopsis
Film in three parts. A man and a woman, Trix Zwartjes and Lodewijk de Boer (Zwartjes’s regular actors) circle around each other in a house and outside at the water side. They attract and reject each other.

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