
A La Mode
1959

Representation Score
Fair
2015
Director
Lewis Klahr
Runtime
87 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Sixty Six is an avant-garde collage animation that prioritizes sensory exploration over traditional character-driven narratives. Its fragmented, postmodern structure makes it challenging to assess sociological representation using standard metrics. The film succeeds in blending diverse cultural artifacts like Greek mythology and Portuguese media, creating a landscape that resists a singular worldview. This global visual vocabulary provides a level of cultural breadth. However, the lack of concrete character's ability to drive the story and explicit identity-driven storytelling limits its impact. The work functions more as an atmospheric study of mid-century pop culture than a platform for active representation.
Category Breakdown
The film maintains an alluringly erotic tone, focusing on sensuality. However, it lacks explicit depictions of queer identities or narratives that specifically address straight relationships.
Narrative archetypes like superheroes and figures from Portuguese foto romans inhabit traditional roles. The elliptical structure prevents a cohesive examination of whether gender hierarchies are reinforced or challenged.
The work blends midcentury Los Angeles architecture with Portuguese media and Greek mythology. While this deconstructs a monolithic Western perspective, it does not explicitly center underrepresented racial identities.
By utilizing sunshine noir and mythological fragments, the film moves toward a dream-like, non-specific spirituality. It favors a fluid, collage-based reality over traditional Western moralities.
There are no discernible depictions of physical or neurodivergent characters within the film's structural overview.
Present on Screen
Limited or Absent
Official Synopsis
Organized in 12 discrete chapters, Sixty Six is a milestone achievement, the culmination of Klahr’s decades-long work in collage filmmaking. With its complex superimpositions of imagery and music, and its range of tones and textures at once alluringly erotic and forebodingly sinister, the film is a hypnotic dream of 1960 and 1970s Pop. Elliptical tales of sunshine noir and classic Greek mythology are inhabited by comic book super heroes and characters from Portuguese foto romans who wander through midcentury modernist Los Angeles architectural photographs and landscapes from period magazines.

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