The story centers on a heteronormative romantic structure between Gonthramm and his bride, Galeswithe. There is no evidence of non-cisnormative identities or narratives that critique traditional sexual orientations.

Characters appear to follow traditional chivalric roles, with the male knight as the active protagonist and the female bride as the destination. Queen Banschi offers a female figure of power, though her role lacks evidence of subverting gender hierarchies.

Set within a mythic European context, the film likely reflects the homogeneous casting standards of 1929. There is no indication of diverse racial representation or the use of non-human species as metaphors for race.

The film is deeply embedded in Western mythic traditions and Christian symbolism, specifically the pursuit of the Holy Grail. It operates within established early 20th-century European fantasy frameworks rather than challenging them.

The narrative provides no mention of characters possessing visible or invisible disabilities. Consequently, there is no representation of disability within the known story.