The film lacks any evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focuses strictly on nationalist and socioeconomic themes.

The story centers on male-dominated cycling championships and national morale. There is no evidence of female agency or the subversion of traditional gender roles.

The film provides a strong depiction of ethnic identity and resistance. By centering a Korean protagonist defeating Japanese cyclists, it disrupts colonial hierarchies and grants agency to the colonized.

The narrative engages with anti-colonial sentiment and prioritizes national identity. It critiques imperialist institutions by framing the Japanese colonial administration as a systemic antagonist.

There is no verifiable evidence regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.