The film lacks LGBTQ+ characters or narratives. It depicts a social fabric rooted in traditional mid-20th-century domestic structures without subverting heteronormative frameworks.

Gender roles adhere to the social hierarchies of the era. While maternal and paternal roles are nuanced, the film does not disrupt traditional power dynamics or elevate female intellect.

The film excels by centering a Taiwanese cast and exploring post-colonial identity. It captures the friction between Japanese colonial legacies and the transition to Chinese rule.

The narrative offers a strong post-colonial perspective by focusing on the fragmented memories of a community. It prioritizes cultural memory and the erosion of traditions over Western-centric ideals.

There are no prominent depictions of visible or invisible disabilities. Characters with disabilities are not utilized as narrative devices within the story.