
Fire Will Come
2019

Representation Score
Excellent
2019
Director
Louise Archambault
Runtime
127 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Louise Archambault’s drama succeeds as a piece of historical revisionism that prioritizes characters on the margins over mainstream social structures. By centering characters who find empowerment through isolation, the film disrupts the typical expectations of the historical genre. The narrative's strength lies in its ability to frame social non-conformity as a form of human ability to act. It moves away from traditional institutional narratives to explore the subjective morality of those living on the edges of society. However, the film's focus remains largely within a specific settler-descendant historical context. While it explores the complexities of the Canadian landscape, it lacks explicit evidence of broad racial or diverse representation.
Category Breakdown
The film explores themes of outsiders and the rejection of societal norms. While specific LGBTQ identities remain implied, the narrative focuses on characters living on the fringes of mainstream society.
Marie Desneige provides a strong counterpoint to traditional masculine wilderness stereotypes. Her vibrant role challenges the idea of the passive female elder, centering a woman's perspective within the historical landscape.
The story is rooted in the settler-descendant history of Northern Ontario. There is limited evidence of a non-Anglo-Saxon majority or explicit blending of racial backgrounds within the primary cast.
The film challenges Western institutional stability by celebrating individual autonomy. It portrays the choice to live in isolation as a form of liberation from conventional societal progress.
Marie Desneige’s history of long-term institutionalization is handled with dignity. The film focuses on her psychological resilience and vitality rather than treating her history as a mere plot device.
Present on Screen
Limited or Absent
Official Synopsis
A photographer sets off toward a mysterious forest to find Boychuk, witness and victim of the Great Fire that swept through Northern Ontario at the turn of the 20th century. But before she arrives, she learns that Boychuck has just perished. Survivors of the long-ago fire, Tom and Charlie, two elderly men who have chosen to live out their last days in the woods, are introduced to Marie Desneige, whose 60 year institutionalization has only fueled her passion for life. Meanwhile, the photographer is discovering that Boychuck had been a painter, whose life’s work had been entirely inspired by the Great Fire. The story immerses us in a historical drama while captivating us with the strange lives of these men of the forest. Three men who, in choosing freedom above all else, made a deal with death.

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