You are here:

As Cariocas

Name: As Cariocas
Director: Walter Hugo Khouri, Fernando de Barros, Roberto Santos
Released: 1966
Duration: 98 min

Representation Score

4.4/10

Fair

1966

Director

Walter Hugo Khouri, Fernando de Barros, Roberto Santos

Runtime

98 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Cariocas serves as a psychological study of the urban middle class, focusing on existentialist themes and the deconstruction of bourgeois social structures. It prioritizes the internal lives of its characters over broad representation. The film successfully challenges traditional gender clichés but remains limited to a narrow focus on white, upper-class social strata. While it provides a sophisticated critique of modern institutions and the failure of traditional domesticity, it lacks depth regarding race and sexuality.

Watch this, not that →

Category Breakdown

Does As Cariocas have LGBTQ+ representation?

Limited

The film centers on heterosexual relationships and infidelity, with no evidence of queer narratives or non-straight identities.

How does As Cariocas portray gender?

Fair

It challenges traditional gender clichés by focusing on the internal psychological states of women, shifting attention away from them as objects of desire.

How racially and ethnically diverse is As Cariocas?

Limited

The film mainly portrays the white, urban middle class of Rio de Janeiro, with no significant racial diversity or non-white central characters.

How does As Cariocas represent religion and culture?

Good

It critiques modern urban life and capitalism, deconstructing the nuclear family through themes of social isolation.

Does As Cariocas include disability representation?

Minimal

The film examines psychological distress and alienation but does not feature visible or invisible disabilities as central narrative drivers.

Present on Screen

Focuses on the internal lives of women, challenging traditional gender clichés.
Offers a sophisticated critique of capitalism and the emptiness of modern urban life.
Challenges the stability of traditional Western social and familial institutions through existentialist themes.

Limited or Absent

Lacks significant representation of LGBTQ+ identities or non-straight narratives.
Shows a lack of racial diversity, focusing almost exclusively on the white bourgeoisie.
Does not address visible or invisible disabilities as central narrative elements.

Official Synopsis

Divided into three episodes based on stories by Stanislaw Ponte Preta (Sérgio Porto), the film portrays three young people from Rio de Janeiro: a furious lover, a beautiful beachgoer, and a former beauty queen. All live in profound solitude amid the apparent social vibrancy of Copacabana.

How are these scores produced? →