
The Farmer Takes a Wife
1935

Representation Score
Minimal
1947
NRDirector
Chester Erskine
Runtime
108 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a product of the mid-century studio system, emphasizing slapstick comedy and traditional romantic structures. It reinforces the status quo of 1947 by focusing on agrarian stability and traditional family values. While Betty demonstrates resilience, the narrative centers on male-centric actions and traditional gender roles. The lack of diverse identities and non-conventional perspectives leads to a narrow, homogeneous worldview.
Category Breakdown
The film follows strictly heterosexual and cisgender norms, with no representation of non-binary gender identities or same-sex relationships.
Betty shows strength in managing the farm's domestic life, but the narrative focuses primarily on Bob's actions. The comedy emphasizes traditional 1940s masculine roles.
The cast is uniform, reflecting the era's depiction of white, rural America as the standard. There is a lack of ethnic diversity.
The story celebrates the 'American Dream' of owning land and getting married. It upholds traditional Western values without critiquing social institutions.
There is no representation of characters with disabilities or neurodivergence. No visible or invisible disabilities are shown.
Present on Screen
Limited or Absent
Official Synopsis
World War II veteran Bob MacDonald surprises his new wife, Betty, by quitting his city job and moving them to a dilapidated farm in the country. While Betty gamely struggles with managing the crumbling house and holding off nosy neighbors and a recalcitrant pig, Bob makes plans for crops and livestock. The couple's bliss is shaken by a visit from a beautiful farm owner, who seems to want more from Bob than just managing her property.

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1948
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