Regular Guys
1996
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Diversity score: 5.3 out of 10
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Times Have Been Better
2006
Director
Régis Musset
Runtime
93 minutes
Average Rating
No ratings yetSynopsis
After moving in with his beau, 30ish banker Jérémy decides to let the cat out of the bag, telling his unsuspecting parents, Guy and Rosine, that he's gay. Though they've always envisioned themselves as enlightened, the news staggers Guy and Rosine -- who are determined to get to the root of Jérémy's homosexuality.
Where to Watch
Diversity & Representation
Overall Score
5.1/10
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on Jérémy, a banker whose decision to come out drives the entire plot. It moves beyond tokenism by exploring the friction between queer identity and heteronormative family expectations.
Gender Representation
Gender dynamics focus on the tension between traditional parental roles and modern autonomy. The film shows a domestic hierarchy being destabilized, though it avoids a full deconstruction of gender archetypes.
Racial & Ethnic Diversity
The narrative appears limited to a homogeneous European family unit. There is no evidence of a diverse or non-Anglo-Saxon majority cast within the story.
Religious & Cultural Diversity
The story critiques performative progressive values within a Western framework. It highlights the clash between a family's idealized 'enlightened' image and the reality of individual truth.
Disability Representation
The film provides no evidence regarding the portrayal of physical or neurodivergent disabilities.
Strengths
- Strong LGBTQ+ agency through a protagonist who drives the narrative conflict.
- Effective critique of performative progressive values and social facades.
- Meaningful exploration of the negotiation of queer identity within families.
Areas for Improvement
- Lack of racial and ethnic diversity within the cast and setting.
- Limited scope due to a narrow focus on a single domestic unit.
- Minimal subversion of traditional gendered archetypes.
AI Analysis
Times Have Been Better succeeds by placing LGBTQ+ agency at the heart of its domestic comedy. Rather than treating Jérémy's orientation as a subplot, the film uses his coming-out process to dismantle the facade of his parents' supposed enlightenment. However, the film's impact is limited by its narrow demographic scope. The focus remains strictly within a singular, homogeneous family unit, which prevents a broader exploration of intersectional identities. Ultimately, the film is a study of social performativity. It effectively challenges how traditional families navigate modern identities, even if it stays within a relatively conventional cultural setting.
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