
Baby Done
2020

1998
Director
Peter Gren Larsen
Runtime
81 minutes
Average Rating
No ratings yetSynopsis
Max is a programmer, Nicoline is a chef, and they are both young, in love, and ambitious. Then lightning strikes: they have a baby. From that day on, nothing is ever the same again. Max, who has just been promoted, is certain he has everything well in hand. He has just invented the LifeOrganizer interactive personal scheduler designed to make life easier. But having to endure a baby with colic, piled-up washing and missed deadlines, Max and Nicoline's bachelor lifestyle is put to the test. There are only 24 hours in a day, or are there? With many wacky smiles and lashings of gallows-humour Peter Gren Larsen depicts the stressed out situation young couples face when baby throws a spanner in your career. Max and Nicoline go through an awful lot, including a trial separation, before they accept that kids change your life.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film centers on a heterosexual couple, Max and Nicoline. There is no evidence of queer-coded characters or narratives that critique heteronormativity.
Gender Representation
The story explores domestic friction and dual-career struggles between a programmer and a chef. However, it lacks explicit subversion of gender hierarchies or domestic agency.
Racial & Ethnic Diversity
The narrative focuses on the protagonists' professional struggles without mentioning a diverse cast. It appears to default to a conventional, potentially homogeneous depiction of young professionals.
Religious & Cultural Diversity
The film examines the disruption of career-oriented lifestyles by parenthood. While using gallows-humor, it avoids a systemic critique of Western values or the nuclear family.
Disability Representation
The provided context contains no mention of characters with visible or invisible disabilities, neurodivergence, or chronic illness.
Strengths
Areas for Improvement
AI Analysis
Baby Doom follows a traditional narrative structure centered on the domestic realism of a young couple facing unexpected parenthood. The story focuses on the tension between professional ambition and the realities of raising a child, adhering to conventional storytelling tropes. The film lacks intersectional complexity, as there is no evidence of LGBTQ+ representation, racial diversity, or systemic subversion. The focus remains strictly on the interpersonal and professional conflicts of a heterosexual pair. Ultimately, the film presents a conventional view of the nuclear family and career-life balance without challenging broader social or cultural structures.

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