The film lacks any discernible presence of LGBTQ+ characters or non-cisnormative identities. It operates within a traditional heteronormative framework typical of 1970s action cinema.

Narrative focus remains centered on male-driven conflict and physical prowess. Women appear only as peripheral figures, with agency remaining almost exclusively with the male protagonists.

The film utilizes a standard Western casting model of the period. There is no evidence of a non-white majority cast or intentional use of race-bent casting.

The story explores the intersection of religious authority and lawlessness through a revenge tale. It uses a priest as a plot catalyst rather than deconstructing religious values.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency. The film does not engage with neurodivergence or physical disability.