New Showbiz

You are here:
In the White City

In the White City

1983

Director

Alain Tanner

Runtime

109 minutes

Average Rating

No ratings yet

Synopsis

Fed up with the sea, Paul, a Swiss mechanic working in the noisy bowels of a merchant ship, lands in Lisbon.

Where to Watch

Diversity & Representation

Overall Score

5.2/10

Fair


Category Breakdown

LGBTQ+ Representation

Limited

The film centers on a melancholic romantic connection between Paul and a woman in Lisbon. It lacks explicit depictions of non-cisnormative identities or same-sex intimacy, staying within traditional romantic frameworks.

Gender Representation

Fair

The narrative subverts patriarchal archetypes by focusing on character vulnerability rather than dominance. Female characters possess significant psychological depth, serving as essential catalysts for the protagonist's internal reflection.

Racial & Ethnic Diversity

Fair

Lisbon provides a Mediterranean backdrop that introduces cultural texture beyond the protagonist's Swiss origins. However, the cast remains largely white, focusing more on European social classes and immigrant experiences.

Religious & Cultural Diversity

Good

The story prioritizes secular existentialism over religious dogma, critiquing industrial and capitalist structures. Paul's life as a mechanic highlights the dehumanizing nature of modern labor and global commerce.

Disability Representation

Fair

There is no intentional depiction of physical or neurodivergent disabilities. The film explores universal psychological states like alienation and loneliness rather than specific disability-related experiences.

Strengths

  • Subverts traditional male archetypes by emphasizing vulnerability and emotional autonomy over patriarchal dominance.
  • Provides significant psychological depth to female characters, moving them beyond mere romantic interests.
  • Offers a nuanced critique of industrial capitalism and the dehumanizing effects of modern labor.

Areas for Improvement

  • Lacks explicit representation of LGBTQ+ identities or non-cisnormative gender expressions.
  • Does not feature specific explorations of physical or neurodivergent disabilities.
  • The cast lacks significant racial and ethnic diversity, remaining centered on European identities.

AI Analysis

Alain Tanner’s film offers a sophisticated, postmodern critique of social and economic structures. It succeeds by moving beyond tokenism to explore identity through the lens of existentialism and the rejection of traditional Western stability. While the film lacks explicit representation for LGBTQ+ individuals or people with disabilities, it disrupts conventional storytelling hierarchies. It replaces traditional patriarchal dominance with a focus on emotional autonomy and psychological depth. The work is most effective in its cultural commentary, using the protagonist's transient life to challenge capitalist utility and the sanctity of the nuclear family.

How are these scores produced? →

Similar Movies

Movie poster for The Middle of the World

The Middle of the World

1974

No user ratings available yet
Diversity score: 6.0 out of 10

Himmeluret

1925

No user ratings available yet
No diversity score available

Rate this Movie

No rating selected
Use arrow keys to select a rating from 1 to 5 stars
Optional text review, maximum 2000 characters
Tip: Wrap spoilers with ||double pipes|| to hide them
0/2000 characters
You must be signed in to submit a rating

Reviews

No reviews yet. Be the first to share your thoughts on this movie!

Use the rating form above to leave a star rating and optional review.