
Good Times
1967

Representation Score
Limited
1976
XDirector
Gerard Damiano
Runtime
75 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Let My Puppets Come is a transgressive comedy that prioritizes the subversion of social norms over diverse representation. The plot revolves around male-centric financial desperation and high-stakes negotiations involving a Mafia investor. While the film challenges traditional corporate morality and professional stability, it lacks narratives centered on multi-layered identities. The focus remains on a localized, likely homogeneous group of men navigating a moral crisis. Ultimately, the work serves as a period-specific exploration of sexual transgression and moral relativism rather than a vehicle for diverse social perspectives.
Category Breakdown
The film falls within the adult genre, which typically explores non-straight relationships. However, there is no clear depiction of specific LGBTQ+ identity-driven plotlines or character's ability to drive the story.
The story focuses on male executives and a male courier dealing with a financial crisis. Women do not hold positions of power or intellectual leadership in the narrative.
The setting and Mafia-driven plot suggest a homogeneous cast. There is no indication of non-white characters driving the narrative forward.
The film challenges traditional Western values by showing executives abandoning professional integrity. It emphasizes situational ethics over mainstream social respectability.
There is no mention of characters with visible or invisible disabilities in the provided narrative context.
Present on Screen
Limited or Absent
Official Synopsis
The three chief executives of Creative Concepts Systems & Procedures Brothers Unlimited Inc. of New York are in hot water as their latest venture has been a huge failure, and their Mafia investor, "Mr. Big", wants his $500,000 within 24 hours, or else. So Jimmy, a courier who over hears their plight, suggests they make a porno movie as an easy way of getting back the lost money.

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