
Let My Puppets Come
1976

Representation Score
Fair
1976
Director
Pupi Avati
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Pupi Avati’s film primarily serves as a socio-political satire rather than a detailed exploration of diverse identities. It effectively critiques the commodification of intimacy and the impact of American corporate dominance on Italian society. While it disrupts traditional gender hierarchies by highlighting women as active consumers, it remains confined to transactional heterosexual dynamics. The absence of significant racial and LGBTQ+ representation keeps the narrative focused on nationalistic and class-based issues rather than broader multi-layered identities. Ultimately, the film is a critique of globalized capitalism, using the 'American Love Company' to challenge conventional moralities and traditional social institutions.
Category Breakdown
The film centers on the commercialization of sexual services, focusing on male providers. It does not explicitly include LGBTQ+ identities or stories that challenge the idea that everyone is straight or cisgender.
Women are portrayed as primary consumers and decision-makers, challenging traditional gender roles. However, their ability to act is still influenced by a patriarchal economic structure.
The film focuses on the Italian social landscape with some American influence. There is no significant racial or ethnic diversity among the characters.
The movie satirizes American capitalism and corporate expansion. It avoids traditional Christian condemnation of sex work, instead viewing it through the lens of economic necessity.
The film does not focus on visible or invisible disabilities in its narrative or character descriptions.
Present on Screen
Limited or Absent
Official Synopsis
The United States of America, after the great success of Vietnam, Watergate and so on, have decided to expand their activities in Italy. Mr. Chips has chosen Eddie Mordace to open the Italian branch of the multinational American Love Company. So Eddie opens in Milan a small branch of the Company whose purpose is to comfort women. Eddie hires Simbad, Adone and later, when business starts to go well, Ugolino, a real Count, and Ivanoe, a raper, who becames the attraction of the House.

1976

1970

1963

1978

1976

1954

1990

1973
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.