Histoire(s) du Cinéma 1b: A Single (Hi)story

The film incorporates archival fragments that explore non-straight relationships and identities. Although it doesn't have a central queer protagonist, the montage disrupts traditional historical narratives by integrating various visual identities.

The film critiques the construction of gendered images throughout history. By challenging traditional masculine leadership and Hollywood clichés, it portrays gender as a fluid, constructed element of the medium.

The work employs a post-colonial structure, contrasting Western achievements with colonial history. It challenges Anglo-Saxon dominance by highlighting global struggles and diverse ethnic identities through international archives.

The film uses a postmodernist framework to critique capitalism, religion, and patriotism. It questions singular truths in favor of a fragmented, subjective understanding of history and power.

Disability is shown as part of the historical landscape within archival footage. While the film avoids 'inspiration porn,' the non-narrative format lacks characters with specific, ability to act-driven disability narratives.