The film lacks any discernible presence of LGBTQ+ characters or non-heteronormative identities. The focus remains strictly on the male-centric camaraderie of the outlaw group.

The film is heavily male-centric, adhering to traditional gendered roles. However, it subverts masculine competence by portraying protagonists as inept and farcical rather than heroic.

The production reflects era-specific casting norms with a primarily white, Anglo-Saxon cast. There is no evidence of significant minority representation or color-blind casting.

The film achieves a mid-range score by prioritizing moral relativism. It avoids traditional 'good vs. evil' dichotomies, instead framing authority as a target for satire.

There is no significant evidence of characters with visible or invisible disabilities being portrayed with agency. Struggles are primarily socioeconomic and situational.