The film adheres to strict heteronormative romantic structures. It focuses on the traditional bond between Victor and Elizabeth, offering no representation of non-cisnormative identities or same-sex intimacy.

The narrative centers on male scientific pursuits, often leaving female characters in reactive roles. While Elizabeth and Justine are emotionally vital, they primarily occupy domestic spheres and serve as casualties of Victor's obsession.

Reflecting its European period setting, the cast is a homogeneous white ensemble. The film maintains a traditionalist portrayal of the era's social composition without diverse ethnic representation.

The film challenges moral binaries by framing the Creature as a victim of social rejection. It critiques traditional religious dogma by positioning scientific inquiry as a disruptive, transformative force.

The Creature's physical state is treated through the lens of a horror trope rather than nuanced disability. His form serves as a catalyst for conflict rather than an exploration of agency.