
The Unlucky Butterfly
1931

Representation Score
Minimal
1931
Director
Noburô Ôfuji
Runtime
3 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Noburô Ôfuji’s 1931 short is a technical milestone in Japanese animation, using the paper cutout technique. However, its purpose is deeply tied to the nationalistic context of early 20th-century Japan. The film serves as a tool for national unity, emphasizing established state symbols and traditional values. Since it centers on the national anthem, it lacks the narrative structure needed for inclusive representation. Overall, the work reinforces a singular cultural identity. It prioritizes state-driven morality and cultural stability over diverse character perspectives or social disruption.
Category Breakdown
The film does not include any LGBTQ+ characters or stories about non-straight identities. It focuses more on the overall narrative than individual characters.
The work follows traditional gender roles typical of its time period. It does not challenge these roles or give much ability to act to its characters.
The animation centers around a single Japanese national identity. It emphasizes a uniform cultural perspective rather than showcasing a variety of ethnicities.
The film promotes patriotism and traditional state values. It upholds national symbols and cultural stability through its depiction of national traditions.
There are no characters with visible or invisible disabilities in the film. The focus remains on nationalistic themes without highlighting individual diversity.
Present on Screen
Limited or Absent
Official Synopsis
Very short animated film from Japan, using cut-outs in the style of Lotte Reiniger.

1931

1931

1929
1935

1931

1930
1933

1922
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