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Now We're Going to Call You Brother

Now We're Going to Call You Brother

Representation Score

6.5/10

Good

1971

Director

Raúl Ruiz

Runtime

13 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Raúl Ruiz’s documentary serves as a vital witness to a transformative moment in Chilean history. By centering the Mapuche people during their march for civil rights, the film moves beyond mere inclusion to grant them true historical control. The film's strength lies in its commitment to racial and ethnic representation, capturing the painful stories of a underrepresented group. This approach disrupts settler-colonial narratives by prioritizing voices traditionally excluded from state frameworks. While the film excels in ethnic and cultural documentation, it lacks specific evidence regarding gendered power dynamics or LGBTQ+ identities. The focus remains firmly on the collective struggle for Indigenous citizenship.

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Category Breakdown

Does Now We're Going to Call You Brother have LGBTQ+ representation?

Fair

The documentary focuses on ethnic and civil rights struggles. There is no specific evidence regarding the depiction of LGBTQ+ identities or specific clichés.

How does Now We're Going to Call You Brother portray gender?

Fair

The film captures a mass social movement that includes a diverse spectrum of participants. It centers collective communal involvement, which typically disrupts traditional patriarchal hierarchies.

How racially and ethnically diverse is Now We're Going to Call You Brother?

Excellent

The film provides exceptional representation by centering the Mapuche Indio people. It documents their active pursuit of civil rights and control during a pivotal historical moment.

How does Now We're Going to Call You Brother represent religion and culture?

Excellent

The work aligns with themes of anti-colonialism and critiques systemic oppression. It prioritizes the perspectives of the oppressed seeking justice and identity-based empowerment.

Does Now We're Going to Call You Brother include disability representation?

Minimal

There is insufficient evidence to determine the presence or portrayal of disability within this specific documentary footage.

Present on Screen

  • Exceptional centering of Mapuche Indio people and their pursuit of civil rights.
  • Challenges historical erasure by documenting the lived experiences of a underrepresented group.
  • Provides a platform for Indigenous control during a pivotal political movement.

Limited or Absent

  • Lacks specific evidence regarding the depiction of LGBTQ+ identities.
  • Does not detail specific gendered power dynamics within the social movement.
  • Insufficient information regarding the portrayal of disability.

Official Synopsis

Raoul Ruiz shot this film on March 28th, 1971, during the big peasant march in Temuco, Chile, when the bill that gave the full citizenship and civil rights to the Mapuche Indio people was approved. Raoul Ruiz listens to their painful stories.

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