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It's Pat: The Movie

Name: It's Pat: The Movie
Director: Adam Bernstein
Released: 1994
Duration: 77 min

Representation Score

5.8/10

Fair

1994

PG-13

Director

Adam Bernstein

Runtime

77 minutes

Average Rating

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New Showbiz Analysis

It's Pat serves as a unique cinematic experiment in identity fluidity. By avoiding anchoring the protagonist to a specific gender or race, the film disrupts traditional character development. The narrative's strength lies in its early engagement with non-binary existence. While the execution is rooted in slapstick comedy rather than theoretical depth, the structural decision to utilize indeterminate identities provides a foundational disruption of social hierarchies. Ultimately, the film functions as a postmodern attempt to deconstruct fixed identity markers within a mainstream comedic framework.

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Category Breakdown

Does It's Pat: The Movie have LGBTQ+ representation?

Good

The film features a protagonist whose gender is ambiguous, serving as an early example of non-binary representation. This ambiguity is used primarily for situational humor rather than a deeper critique of societal norms.

How does It's Pat: The Movie portray gender?

Good

Using multiple actors of various genders to play one character, the film challenges traditional gender roles and archetypes. This approach disrupts the audience’s reliance on binary visual cues.

How racially and ethnically diverse is It's Pat: The Movie?

Fair

The film uses color-blind casting, assigning different ethnicities to play the central character. This technique aims to separate identity from specific racial characteristics within the narrative.

How does It's Pat: The Movie represent religion and culture?

Fair

The story mildly critiques corporate monotony and bureaucratic absurdity. It maintains a neutral stance on broader socio-political frameworks and does not deeply examine institutional structures.

Does It's Pat: The Movie include disability representation?

Minimal

There is no significant portrayal of visible or invisible disabilities within the film's character descriptions.

Present on Screen

The central premise offers an early, unconventional approach to deconstructing fixed identity markers.
Multiple actors of varying genders play one character, challenging traditional masculine and feminine archetypes.
Color-blind casting for the lead character separates identity from race.

Limited or Absent

The ambiguity of the protagonist's identity is used mainly for situational comedy rather than a systemic critique.
The supporting cast relies heavily on traditional comedic archetypes of the era.
The film lacks a robust or deep examination of socio-political or institutional frameworks.

Official Synopsis

Pat Riley, an obnoxious busybody of indeterminable sex, meets and falls in love with Chris, a sensitive, caring person also of indeterminable sex. Their relationship suffers because Pat's a lout, and cannot decide on a direction for their life. Meanwhile, Pat's neighbor Kyle falls further and further into obsession with Pat, fascinated by their indeterminate sexuality.

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