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Everything Always All the Time

Name: Everything Always All the Time
Director: Philipp Eichholtz
Released: 2019
Duration: 84 min

Representation Score

6.3/10

Good

2019

Director

Philipp Eichholtz

Runtime

84 minutes

Average Rating

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New Showbiz Analysis

Everything Always All the Time serves as a contemporary critique of traditional social structures. It succeeds by centering non-traditional desires and subverting the stability of the standard romantic unit. The film excels in its exploration of individual identity and bodily autonomy, placing Kim's specific anatomical and emotional requirements at the heart of the plot. However, its impact is limited by its narrow focus. The lack of visible racial diversity and the absence of disability representation prevent it from achieving a more inclusive, multi-faceted social commentary.

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Category Breakdown

Does Everything Always All the Time have LGBTQ+ representation?

Good

The film challenges traditional expectations by focusing on a protagonist with non-traditional desires. It offers a nuanced look at identity by breaking down typical romantic pairings and sexual scripts.

How does Everything Always All the Time portray gender?

Good

The film prioritizes women's ability to drive the story as Kim drives her own narrative arc. She centers her physical and emotional needs over maintaining traditional relationship structures or hierarchies.

How racially and ethnically diverse is Everything Always All the Time?

Fair

The narrative seems to be a localized, character-driven drama. It lacks evidence of a multi-ethnic ensemble or significant racial diversity within the provided context.

How does Everything Always All the Time represent religion and culture?

Excellent

The story critiques the traditional nuclear family, presenting it as a source of loneliness. It prioritizes subjective truth and unconventional intimacy as valid forms of personal liberation.

Does Everything Always All the Time include disability representation?

Minimal

There is no information available regarding the portrayal of physical or neurodivergent disabilities in this film.

Present on Screen

Strong challenge to traditional sexual scripts and romantic pairings.
Effective centering of women's ability to drive the story and subjective desire over traditional hierarchies.
Thoughtful deconstruction of the nuclear family and conventional relationship stability.

Limited or Absent

Lack of visible racial and ethnic diversity within the character ensemble.
Absence of representation regarding physical or neurodivergent disabilities.
Narrow narrative scope that focuses primarily on localized interpersonal dynamics.

Official Synopsis

Andreas wants Kim, but Kim wants something more. She wants a penis. She doesn't want to talk about this with Andreas. And when their best friend, Anna, moves in, it all gets to be a bit much. But if two people feel lonely around each other, can they be less alone when there are three of them?

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