The film lacks any indication of LGBTQ+ characters or non-cisnormative identities. The narrative focus on a satanic mission suggests a reliance on traditional heteronormative horror tropes.

While the story features a group of teenage grave robbers, there is no evidence of gendered agency. The film does not demonstrate a subversion of traditional gender hierarchies.

The Spanish colonial setting introduces themes of colonial history and ethnic intersectionality. However, it remains unclear if these elements provide meaningful representation or serve merely as a backdrop.

The plot utilizes religious and occult themes through a lens of horror tropes. It functions within a traditional moral framework rather than offering a critique of Western institutions.

There is no evidence of characters with visible or invisible disabilities within the narrative.