
I Used to Be Normal: A Boyband Fangirl Story
2018

2019
Director
Taylor Morden
Runtime
100 minutes
Average Rating
No ratings yetSynopsis
Pick It Up! is an independent documentary film about the rise in popularity of ska music in the 1990s and the subsequent return to the underground. The film features members of Reel Big Fish, The Mighty Mighty Bosstones, No Doubt, Sublime, Save Ferris, Goldfinger, The Specials, Less Than Jake, Hepcat and many more.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film provides a platform for artists from a subculture known for non-conformist attitudes. While it lacks centralized queer narratives, the presence of artists with non-heteronormative identities offers moderate representation.
Gender Representation
Female musicians are presented as central drivers of the genre's success rather than peripheral figures. The inclusion of groups like No Doubt and Save Ferris challenges male-dominated rock documentary tropes.
Racial & Ethnic Diversity
The documentary traces ska's lineage from Jamaican origins to its globalized 1990s iteration. It avoids an Anglo-centric perspective by featuring a diverse array of musicians and cultural influences.
Religious & Cultural Diversity
The narrative emphasizes DIY ethics and independent community building over mainstream pop culture. This focus on subcultural identity provides a pluralistic view of cultural value.
Disability Representation
There is no evidence of visible or invisible disability representation within the documentary. No disability-centric narratives or specific plot devices are present.
Strengths
Areas for Improvement
AI Analysis
Pick It Up!: Ska in the '90s serves as a vital historical record of a musical movement defined by its inclusive, anti-establishment spirit. The film succeeds by documenting the genre's inherent subcultural values and the diverse demographic makeup of the artists involved. The documentary avoids a monolithic perspective by tracing the music's Jamaican roots and highlighting the significant roles women played in the genre's commercial explosion. This provides a more nuanced view of the era than typical rock histories. However, the film lacks explicit, centralized narratives regarding queer identity or disability. It functions primarily as a musical retrospective rather than a platform for specific social justice storytelling.

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