The film operates within a strictly historical framework centered on the male-dominated political spheres of the 1920s. There is no evidence of non-cisnormative identities or narratives addressing queer existence.

The narrative is heavily centered on masculine power dynamics, specifically parliamentary debate and paramilitary aggression. Women are relegated to the periphery of the political and violent conflicts that drive the plot.

The cast is largely homogeneous, reflecting the historical constraints of 1920s Italy. The film depicts the Italian political class without the inclusion of diverse ethnic or racial perspectives.

The film presents a sophisticated critique of traditional Western political structures. It portrays the state and its institutions as complicit in the rise of authoritarianism and the corruption of parliamentary norms.

There is no discernible representation of physical, sensory, or neurodivergent identities. These elements are absent from the film’s primary character arcs and thematic focus.