You are here:

The Take

Name: The Take
Director: Avi Lewis
Released: 2004
Duration: 87 min

Representation Score

6.0/10

Fair

2004

Unrated

Director

Avi Lewis

Runtime

87 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film serves as a documentary critique of the global economic order. It shifts the narrative focus from individual wealth-seeking to collective empowerment and communal action. By centering on a underrepresented working class in Argentina, it successfully challenges Western-centric cinematic perspectives. However, the film lacks explicit representation regarding LGBTQ+ identities and specific disability narratives. While it disrupts traditional corporate power structures, the specific gender dynamics of the workers remain unconfirmed.

Watch this, not that →

Category Breakdown

Does The Take have LGBTQ+ representation?

Fair

The film focuses on industrial labor movements and factory occupations. There are no visible LGBTQ+ characters or narratives addressing non-straight relationships.

How does The Take portray gender?

Fair

The narrative emphasizes shop-floor democracy and collective action. This communal approach potentially disrupts traditional male-dominated corporate hierarchies, though specific gender dynamics are not detailed.

How racially and ethnically diverse is The Take?

Good

Set in Buenos Aires, the film centers on a localized Argentine workforce. This Global South perspective shifts the narrative away from Western-centric dominance and Hollywood clichés.

How does The Take represent religion and culture?

Excellent

The film strongly critiques global capitalism and Western economic institutions. It portrays workers' resistance against systemic oppression as a legitimate response to institutional neglect.

Does The Take include disability representation?

Minimal

There is no information available regarding the portrayal of physical or neurodivergent disabilities within the film.

Present on Screen

Provides a non-Western, Global South perspective by centering on an Argentine workforce.
Challenges Western-centric dominance through its focus on localized labor movements.
Critiques global capitalism by framing systemic economic structures as oppressive antagonists.

Limited or Absent

Lacks visible representation of LGBTQ+ characters or non-straight relationships.
Provides no information or evidence regarding the portrayal of disabilities.
Specific gender dynamics and character roles remain unconfirmed within the narrative.

Official Synopsis

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

How are these scores produced? →