The film lacks any visible representation of non-cisnormative identities or same-sex intimacy. The romantic plot focuses exclusively on traditional heteronormative courtship patterns.

Female characters participate in social maneuvering, but their agency is tied to domestic standing and courtship. The film adheres to conventional 1930s gender hierarchies and expectations.

The casting reflects a homogeneous Hollywood interpretation of European aristocracy. There is no evidence of non-white characters holding positions of agency within the Russian setting.

The narrative reinforces traditional social orders and romantic ideals without critiquing Western institutions. It focuses on aristocratic interpersonal complexities rather than anti-establishment themes.

There is no evidence of characters with visible or invisible disabilities. The story centers strictly on the socioeconomic and romantic conflicts of the protagonists.