The film follows a heteronormative romantic arc between Tó and Carla. There is no visible evidence of queer agency or non-cisnormative identities within the narrative.

The story centers on a romantic pairing that risks traditional tropes. Carla may serve as a catalyst for agency or a victim of systemic constraints rather than a passive character.

The film shows high intentionality by centering a Black protagonist in a relationship with a white girl. This disrupts Eurocentric romantic standards and highlights the African diaspora's experience in Lisbon.

The narrative engages with post-colonial themes and the tension between European urban life and African aspirations. It prioritizes the perspective of the marginalized over traditional Western stability.

There is no discernible evidence regarding the portrayal of physical or neurodivergent disabilities in the provided narrative.