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The Big Fight

The Big Fight

Representation Score

5.2/10

Fair

1972

R

Director

Sung Ting-Mei, Sun Sheng-Yuan

Runtime

94 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Big Fight is a powerful example of regional resistance cinema that challenges conventional Western historical narratives. By focusing on the struggles of the colonized, it offers a fresh perspective on the conflict. However, the film heavily relies on clichéd portrayals of women as victims of violence, which can overshadow the development of their roles. Additionally, it lacks diverse representation, such as LGBTQ+ characters and individuals with disabilities.

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Category Breakdown

Does The Big Fight have LGBTQ+ representation?

Limited

The film does not include any explicit LGBTQ+ characters or explore non-straight relationships. The story revolves around the conflict between occupiers and resistance fighters.

How does The Big Fight portray gender?

Fair

Women are shown as victims of severe violence, including rape and killing, by the occupying forces. This portrayal may reinforce stereotypes of women as passive and vulnerable in wartime scenarios.

How racially and ethnically diverse is The Big Fight?

Excellent

The movie highlights the resistance of Chinese fighters against Japanese occupiers, shifting away from Western-centric views of World War II. It emphasizes the role and ability to act of the colonized population.

How does The Big Fight represent religion and culture?

Excellent

The film strongly opposes imperialism, presenting the occupying forces as corrupt and oppressive. It portrays the resistance movement as a just fight against colonial rule.

Does The Big Fight include disability representation?

Minimal

There is no indication of characters with physical or neurodivergent disabilities in the film.

Present on Screen

  • Highlights the ability to act of the colonized population against imperialist forces.
  • Offers a non-Western perspective on the geopolitical conflicts of WWII.
  • Critiques colonial hegemony and systemic oppression effectively.

Limited or Absent

  • Avoids reinforcing clichés of women as passive victims of violence.
  • Includes more diverse representation of LGBTQ+ identities.
  • Features characters with physical and neurodivergent disabilities.

Official Synopsis

This film is set during the Japanese occupation of China circa WWII. In it, the Japanese occupiers (and the Chinese Quislings who work for them) are portrayed as total monsters who kill children and rape all women. The heroes are resistance fighters who oppose the occupation.

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