You are here:

The Song of the Red Ruby

Name: The Song of the Red Ruby
Director: Annelise Meineche
Released: 1970
Duration: 107 min

Representation Score

1.4/10

Minimal

1970

NC-17

Director

Annelise Meineche

Runtime

107 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film operates within a conventional framework that prioritizes traditional romantic relationships and social hierarchies. It focuses on a male protagonist's internal conflict between personal desires and professional responsibilities. The production follows the commercial patterns of the 1970s, using traditional gender roles and a lack of diverse casting. Ultimately, the work reinforces the status quo of its era without challenging standard racial or gender expectations.

Watch this, not that →

Category Breakdown

Does The Song of the Red Ruby have LGBTQ+ representation?

Limited

The film focuses on a heterosexual relationship between the male protagonist and female students. It does not include any representation of non-binary or LGBTQ+ identities.

How does The Song of the Red Ruby portray gender?

Limited

The film features a male headmaster who holds authority over the school. Female characters play the role of temptresses, but their influence is limited to testing the protagonist’s resolve.

How racially and ethnically diverse is The Song of the Red Ruby?

Minimal

The film does not indicate a multi-ethnic cast and seems to adhere to the homogeneous casting standards typical of 1970s European cinema.

How does The Song of the Red Ruby represent religion and culture?

Limited

The story emphasizes individual ambition and traditional social structures like the school system. It does not challenge or critique Western institutions or capitalism.

Does The Song of the Red Ruby include disability representation?

Minimal

The synopsis provides no information regarding characters with visible or invisible disabilities. No assessment can be made regarding this category.

Present on Screen

The film provides a clear character study of individual ambition and the conflict between personal impulse and professional duty.

Limited or Absent

The narrative relies heavily on the 'temptress' cliché, limiting female characters to roles defined by their physical attractiveness.
The film lacks racial and ethnic diversity, appearing to follow homogeneous casting standards.
There is a lack of LGBTQ+ representation or any subversion of straight-centered structures.

Official Synopsis

A young, idealistic business student has ambitions to be a concert pianist, but his obsession with beautiful women keeps him from achieving his goal. To earn money for his tuition, he takes a job as headmaster of a small girls' school. There his weakness for beautiful women is put to the test when he is pursued by a bevy of sexy coeds.

How are these scores produced? →