
Music of Always
1958

1981
Director
William Dear
Runtime
62 minutes
Average Rating
No ratings yetSynopsis
Winner of the first video Grammy Award, Michael Nesmith (The Monkees) wrote and starred in Elephant Parts, a collection of comedy and music videos using money he inherited from his mother, the inventor of Liquid Paper. Elephant Parts is one hour long and features five full length music videos, including the popular songs "Rio", and "Cruisin'", which featured wrestler Steve Strong and Monterey-based comic "Chicago" Steve Barkley. An off-beat collection that is very entertaining to view while in an altered state.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks discernible LGBTQ+ characters or narratives. It focuses on musical and visual performance without addressing or critiquing heteronormativity.
Gender Representation
The production adheres to conventional 1980s gender dynamics. There is a lack of significant subversion regarding traditional hierarchies or gender archetypes.
Racial & Ethnic Diversity
Casting reflects a predominantly homogeneous demographic. There is a notable absence of intersectional casting or narratives centering non-Anglo-Saxon perspectives.
Religious & Cultural Diversity
The work operates within a traditional Western framework. It focuses on individual artistic expression rather than challenging social or religious structures.
Disability Representation
There is no significant evidence of characters with visible or invisible disabilities. Disability is not used as a central theme or tool for agency.
Strengths
Areas for Improvement
AI Analysis
Elephant Parts functions as a stylistic anthology of music videos rather than a cohesive dramatic narrative. Because the project prioritizes surrealist aesthetics and musical performance, it lacks the structural depth required for complex social commentary or identity-driven storytelling. The collection serves as a period-specific artifact of the early music video era. Its primary objective is visual experimentation, which results in a lack of intentionality regarding the disruption of social hierarchies or intersectional representation.

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