The film relies heavily on queer-coding and subtext regarding the protagonist's obsession with beauty. However, it lacks explicit depictions of non-heteronormative identities or same-sex intimacy.

Women function primarily as catalysts for the protagonist's psychological shifts rather than independent agents. The narrative largely adheres to traditional gender hierarchies and masculine-dominated power structures.

The production features a predominantly white, European cast consistent with its Victorian setting. There is no significant inclusion of non-Anglo-Saxon characters or race-bent casting.

The film explores moral relativism and the hypocrisy of high-society institutions. It lacks a broader critique of Western institutions, focusing instead on individual psychological decay.

There are no prominent depictions of physical or neurodivergent disabilities that serve as central character arcs or plot devices.