The film lacks explicit LGBTQ+ identities or same-sex intimacy. The narrative focuses on the Countess's heteronormative obsession with younger men, despite exploring intense female bonds within her aristocratic circle.

The film disrupts traditional hierarchies by centering a matriarchal power structure. It portrays the female protagonist as a figure of predatory, absolute agency rather than a submissive historical victim.

Reflecting the 17th-century Hungarian setting, the cast is predominantly white. The film adheres to the demographic realities of the European nobility of that era without intentional diversification.

The story critiques Western institutions by prioritizing survivalist logic over Christian morality. It deconstructs social order, framing traditional morality as an obstacle to the protagonist's pursuit of beauty.

Themes of madness and physical decay serve as gothic plot devices. These elements drive the horror rather than providing nuanced agency to characters with mental health conditions.