The film subverts gender norms by featuring a female protagonist masquerading as a prince. This performance of identity disrupts heteronormative expectations and explores non-cisnormative identity through the character's hidden persona.

By placing a woman in the role of the primary political actor, the film challenges traditional hierarchies. The protagonist exercises agency through intellectual deception and strategic maneuvering, traits typically reserved for male leads.

The production appears to follow the homogeneous casting standards of 1921 Danish cinema. There is no evidence of diverse ethnic identities or non-Anglo-Saxon casting within this traditional European setting.

The narrative explores systemic corruption and the breakdown of the monarchy and familial units. However, it remains rooted in a classical dramatic structure without prioritizing anti-Western or anti-capitalist frameworks.

The protagonist fakes madness as a tactical plot device. There is insufficient evidence to determine if the film treats neurodivergence with genuine agency or merely as a narrative tool.