
I, a Man
1967

Representation Score
Fair
1968
Director
Theo Angelopoulos
Runtime
21 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Theo Angelopoulos creates an intellectually progressive film that remains demographically traditional. The film disrupts the patriarchal gaze by placing female discourse at the center of the narrative. However, it lacks multi-layered variety, offering little representation of racial diversity or LGBTQ+ identities, and remains rooted in a specific historical and local context. Ultimately, the film serves as a critique of the systemic media processes that define and limit social ideals.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or non-cisgender identities. Its experimental structure hints at a critique of these standards, but there are no clear LGBTQ+ representations.
The film shifts the focus to female-driven narratives, where women actively shape social definitions instead of being passive subjects. This challenges traditional gender hierarchies by placing women at the center of the story.
The cast appears ethnically homogeneous, reflecting the film's 1968 Greek production context and focus on local street interviews. There is no indication of intentional racial blending.
The film critiques how media shapes human perceptions and social institutions. By framing the search for an ideal through a radio broadcast, it deconstructs traditional societal norms.
There is no evidence of physical or neurodivergent disabilities represented within this work.
Present on Screen
Limited or Absent
Official Synopsis
The team of journalists of a radio show asks women on the street for their definition of the ideal man in order to conduct a search for someone to fill the bill, a specimen who has all these characteristics. The lucky guy will spend a few hours in the company of a well-known movie star

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