
Le goûter des bébés
1897

Representation Score
Minimal
1899
Director
Louis Lumière
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This early documentary serves as a historical record of 1899 Paris, capturing the social order and norms of the era. It does not provide modern progressive representation but instead observes established social structures and traditional roles. The film lacks elements such as character-driven narratives or identity-focused frameworks that would be considered progressive today. Instead, it focuses on documenting the social order of its time without challenging existing hierarchies.
Category Breakdown
The film does not show any non-binary or LGBTQ+ identities or same-sex relationships. It focuses solely on heterosexual and cisgender interactions.
Women are shown in professional caregiving roles, but the film reinforces the idea that women are primarily associated with domestic tasks.
The film reflects the predominantly white population of late 19th-century Paris. There is no indication of racial or ethnic diversity among the subjects.
The film portrays a traditional Western institutional environment emphasizing social stability and conventional social roles.
There are no visible representations of physical or cognitive disabilities. The subjects appear to be healthy and mobile within normal ranges.
Present on Screen
Limited or Absent
Official Synopsis
A long line of nurses pushing carts with their babies enter from the far right, cross a garden in front of the large nursery home, and leave by the close left to the camera. A few toddlers also follow in the same orderly line, along their nurses.

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2010

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