
A World Not Ours
2014

Representation Score
Fair
1988
Director
Mona Hatoum
Runtime
15 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Mona Hatoum’s work combines personal and political elements. By integrating audio recordings and letters from her mother in Beirut into a visual montage, she turns domestic archives into a powerful critique of systemic displacement. The film excels by centering the Palestinian experience, reclaiming history from geopolitical erasure. It frames the fragmentation of family and home as a direct result of political rupture. While it lacks specific LGBTQ+ representation and disability depictions, it challenges Western hegemony through the lens of maternal connection and the politics of the body.
Category Breakdown
The film does not include explicit LGBTQ+ characters or non-binary gender identities. It focuses on the experiences of a heterosexual Palestinian family during times of conflict and separation.
Hatoum highlights the experiences of women as a site of political resistance. The film emphasizes the domestic sphere to explore the vulnerabilities of women living in exile.
The film explores the Palestinian diaspora, providing a nuanced look at ethnic identity. It gives prominence to the experiences of a underrepresented group by focusing on their lived realities.
The work critiques Western-centric geopolitical structures and borders. It prioritizes the subjective truth of the displaced refugee over official Western histories and state power.
While the film touches on the psychological impact of exile, it does not depict specific cases of physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
In this video, the artist tries to overcome the effects of distance, and reflects on geography represented in exile due to war, and on the psychological distance represented in each one’s approach to her womanhood. The video beautifully weaves personal images and audio recordings of a very intimate nature, binding the personal with the political. Reading aloud from letters sent by her mother in Beirut, Hatoum creates a visual montage reflecting her feelings of separation and isolation from her Palestinian family. The personal and political are inextricably bound in a narrative that explores personal and family identity against a backdrop of traumatic social rupture, exile and displacement.

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