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Brødrene på Uglegaarden

Brødrene på Uglegaarden

Representation Score

1.4/10

Minimal

1967

Director

Alice O'Fredericks, Ib Mossin

Runtime

100 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Brødrene på Uglegaarden is a traditional period comedy that reinforces the social status quo of 1967 Denmark. The story relies on established archetypes and localized, homogeneous storytelling that lacks intentional diversity. The narrative centers on land disputes and inheritance, following standard community-based dynamics. While a matriarchal figure exists, the power dynamics remain rooted in traditional patriarchal ambitions. Ultimately, the film functions as a reflection of its era, prioritizing communal stability and conventional social structures over any disruption of systemic norms.

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Category Breakdown

Does Brødrene på Uglegaarden have LGBTQ+ representation?

Minimal

The film does not include any characters with LGBTQ+ identities or non-cisgender gender expressions.

How does Brødrene på Uglegaarden portray gender?

Limited

The plot is driven by male ambitions, while the widow Dora holds estate ownership. The character Sara faces coarse advances from the brothers and is depicted through reductive gender stereotypes.

How racially and ethnically diverse is Brødrene på Uglegaarden?

Limited

The story is set in a rural parish on Funen and the cast appears ethnically homogeneous, reflecting the era's lack of diverse casting.

How does Brødrene på Uglegaarden represent religion and culture?

Limited

The themes focus on land ownership and agrarian values. The narrative operates within established socioeconomic hierarchies without critiquing institutional or social norms.

Does Brødrene på Uglegaarden include disability representation?

Minimal

There are no characters with visible or invisible disabilities within the narrative.

Present on Screen

  • Features a central matriarchal figure in the widow Dora who holds ownership of the estate.

Limited or Absent

  • Lacks diverse casting and ethnic diversity within its rural setting.
  • Depicts the character Sara through reductive gender stereotypes.
  • Does not include LGBTQ+ identities or non-cisgender gender expressions.
  • Does not feature characters with visible or invisible disabilities.

Official Synopsis

Somewhere on the island of Funen, where the hedgerows surround the meandering fields, lies Uglegaarden. It is the largest and richest farm in the parish, and is owned by the widow Dora and her three brooding stepsons Karl, Viggo and Thomas. Their regular haunt is the village inn, where the crone Sara has to put up with their coarse-grained advances. The three brothers have big plans for the small neighboring farm Mosegaarden. They have discovered that under Mosegaarden's lean fields and high slopes there are large quantities of raw gravel. Chr. Thorup, who owns the site, has mortgaged the farm far above the chimneys. Now the Uglegaards brothers are just waiting for the right time to take over Mosegaarden. But when Thorup's son, Henrik, unexpectedly shows up at Mosegaarden, the three brothers' sinister plans are thrown into disarray.

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