The film lacks explicit depictions of non-heteronormative identities or queer intimacy. The narrative focus remains strictly on espionage and wartime suspicion.

The film operates within a traditional gender hierarchy. While female characters like Madame Suzanne Koch hold authority, their agency is tethered to the central mystery.

Representation is achieved through the protagonist, an Austrian refugee. Centering a displaced character provides a nuanced look at ethnic identity and the vulnerability of outsiders.

The Mediterranean setting serves as a microcosm of a crumbling international order. The plot critiques the fallibility of state intelligence and institutional mechanisms.

There is no discernible focus on visible or invisible disabilities. No characters appear to be defined by neurodivergence or physical impairment.