
We're in the Money
1935

1930
NRDirector
Edmund Goulding
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
Wall Street wizard, Larry Day, new to the ways of love, is coached by his valet. He follows Vivian Benton on an ocean liner, where cocktails, laced with a "love potion," work their magic. He then loses his fortune in the market crash and feels he has also lost his girl.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film adheres strictly to early 1930s romantic conventions. There is no evidence of same-sex intimacy or non-cisnormative gender identities.
Gender Representation
The female protagonist displays professional ambition and agency in her pursuit of stardom. This offers a departure from typical submissive feminine archetypes of the era.
Racial & Ethnic Diversity
The cast and setting are predominantly white and Anglo-Saxon. The film lacks significant racial or ethnic diversity, focusing instead on homogeneous social strata.
Religious & Cultural Diversity
The story operates within a traditional Western framework centered on class mobility. It treats socioeconomic shifts as a backdrop for personal romantic drama.
Disability Representation
Characters are presented within the bounds of able-bodied norms. There is no discernible representation of physical, sensory, or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
Reaching for the Moon is a product of its time, reflecting the demographic and social constraints of early 1930s Hollywood. The narrative focuses on traditional romantic pursuits and socioeconomic status within a homogeneous social group. While the film lacks intersectional depth, it does offer a slight subversion of gender norms through its female lead's ambition. However, the story ultimately reinforces the era's standard social and romantic hierarchies. Overall, the film functions as a period-typical comedy that prioritizes individual success and romantic fulfillment over systemic critique or diverse representation.

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