
Women Who Work
1938

Representation Score
Fair
1950
Director
Emilio Gómez Muriel
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Nosotras, las taquígrafas stands out by focusing on a female-dominated professional environment, breaking away from the typical domestic-focused storytelling of its time. The film highlights the interactions and professional ability to act of women in a corporate setting. However, the film operates within the social and moral boundaries of 1950s Mexico. It does not challenge established social hierarchies or provide queer representation, sticking to traditional romantic and social structures of the period. Overall, the film is a moderate example of gender-focused storytelling that prioritizes professional life over patriarchal leadership, though it lacks a broader social critique.
Category Breakdown
The film does not include any explicit LGBTQ+ narratives or non-straight relationships. The focus on romance aligns with traditional romantic storylines common in 1950s Mexican cinema.
The story challenges traditional domestic roles by placing women in a high-skilled professional setting. It emphasizes the workplace dynamics and professional ability to act of women, moving away from submissive archetypes.
As a Mexican production, the film offers a non-Western perspective. It portrays Mexican professional life, diverging from Western-centric cinematic norms of the time.
The narrative respects traditional social structures, balancing professional duties with romantic expectations. It navigates existing social hierarchies without challenging religious or cultural institutions.
There is no information available regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Young women in the steno-pool have to balance work, romance, and touchy-feely bosses.

1938

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1999

1948

1976

1950

1960
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