
The Passion of Joan of Arc
1928

Representation Score
Limited
1954
Director
Roberto Rossellini
Runtime
80 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Rossellini’s film is a deep exploration of a woman’s power against a rigid system. It excels by highlighting personal integrity over institutional dogma, offering a nuanced critique of corruption within institutions. However, it lacks modern demographic diversity, focusing instead on historical accuracy. Its strength lies in challenging traditional hierarchies rather than broadening its demographic representation.
Category Breakdown
The film does not include any visible LGBTQ+ characters or non-straight relationships. It stays true to the historical context of 15th-century theology.
Joan is a strong female lead who challenges the male-dominated structures of her time. She holds significant influence in both spiritual and political spheres, defying the authority of those in power.
The film casts actors to match the demographics of 15th-century France, which means the cast is primarily white and European.
The film highlights the Church and legal systems as tools of oppression, critiquing their roles in persecuting individuals. It emphasizes personal conviction over rigid doctrine.
The film does not depict any physical or neurodivergent disabilities. These traits are not used as central plot devices or character elements.
Present on Screen
Limited or Absent
Official Synopsis
Joan of Arc is being burned alive for heresy. In a kind of dream state, she departs from her body and begins to look back upon her life. She begins this journey in a depressed and demoralized state. However, a priest appears to help guide her. First, he shows her those that accused her in the guise of animal characters, in order to show her their true nature. Then, he shows her the good that she has performed for people. In the end, she is proud of what she has done and is ready to face the flames.

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