
Me, Myself and I
1992

1987
RDirector
Robert Altman
Runtime
93 minutes
Average Rating
No ratings yetSynopsis
Manhattanites Bruce and Prudence are each looking for a meaningful romantic relationship and have been encouraged by their psychiatrists to find someone through the personal ads. Their first meeting is disastrous, but they begin to hit it off during their second date. However, Bruce's bisexual, live-in lover does not want to share Bruce and is willing to do whatever it takes to keep him to himself.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film features a bisexual character in a central role, which was a significant departure from 1980s cinematic tropes. It explores the complexities of non-traditional domestic arrangements and non-heteronormative relationship structures.
Gender Representation
The narrative challenges traditional hierarchies by centering on female agency and professional competence. A female therapist is positioned in a role of psychological and social authority, disrupting submissive archetypes.
Racial & Ethnic Diversity
The cast is predominantly white and reflects an upper-middle-class Manhattan setting. The film lacks significant racial or ethnic diversity within its primary narrative arc.
Religious & Cultural Diversity
The story prioritizes subjective emotional truths over singular moral or religious frameworks. It deconstructs traditional social stability by focusing on the breakdown of professional and interpersonal boundaries.
Disability Representation
Mental health and psychological instability drive the plot through a lens of human complexity. Characters' struggles with emotional regulation are presented as integral to their identities rather than mere comedy.
Strengths
Areas for Improvement
AI Analysis
Robert Altman’s film offers a progressive character study for its era, particularly through its handling of non-heteronormative relationships and mental health. By treating psychological instability as a complex human element rather than a punchline, the film avoids the reductive tropes common in the late 1980s. However, the film is limited by its homogeneous social environment. The focus on an upper-middle-class Manhattanite cast results in a lack of racial and ethnic diversity, making the world feel socially narrow. Ultimately, the film succeeds in subverting traditional gender and social hierarchies, even if it remains confined to a specific demographic lens.

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