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Tintin and the Temple of the Sun

Name: Tintin and the Temple of the Sun
Director: Raymond Leblanc
Released: 1969
Duration: 78 min

Representation Score

3.6/10

Limited

1969

Director

Raymond Leblanc

Runtime

78 minutes

Average Rating

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New Showbiz Analysis

This 1969 adaptation of Hergé’s work reflects the adventure clichés popular during its time. The narrative focuses on a male-driven ensemble and views non-Western cultures through a colonialist lens. While the film includes Incan mythology and settings, it does not delve deeply into the ability to act of indigenous characters. The emphasis remains on the survival and journey of the European protagonists. Overall, the film lacks complexity in its portrayal of diverse identities, relying on established social hierarchies and supernatural elements rather than nuanced character development.

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Category Breakdown

Does Tintin and the Temple of the Sun have LGBTQ+ representation?

Minimal

The film adheres to traditional assumptions about straight relationships and gender identity typical of 1960s animation. There are no LGBTQ+ characters or same-sex relationships among the main cast.

How does Tintin and the Temple of the Sun portray gender?

Limited

The main cast is mostly male, with key roles played by male characters such as Tintin and Haddock. Female characters have minor roles and are not central to the story.

How racially and ethnically diverse is Tintin and the Temple of the Sun?

Fair

The film incorporates Incan mythology and settings like Cusco, Peru, but it presents these through a Eurocentric perspective. Characters of color are in supporting roles within the European-led expedition.

How does Tintin and the Temple of the Sun represent religion and culture?

Limited

The storyline contrasts Western archaeology with Incan spirituality, treating indigenous culture as mysterious rather than giving it a central role in the narrative.

Does Tintin and the Temple of the Sun include disability representation?

Minimal

There is no depiction of physical or neurodivergent disabilities. The deep sleep experienced by the archaeologists is used as a supernatural element rather than a realistic portrayal of disability.

Present on Screen

Engages with non-Western mythology and settings like Cusco, Peru.
Includes diverse cultural elements through the Incan mummy and curse themes.

Limited or Absent

Lacks meaningful roles for characters of color, keeping them in supporting positions.
Does not offer a nuanced look at indigenous culture or colonialist frameworks.
Features a male-dominated cast with minimal female involvement in the narrative.
Does not depict physical or neurodivergent disabilities in a meaningful way.

Official Synopsis

When seven archaeologists find an ancient Inca temple, they become victims of an ancient curse. Back in Europe, one by one they fall into a deep sleep and only once a day, all at the same time, they wake up for a few minutes and experience hallucinations where the sinister living mummy of Rascar Capac appears.

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