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Workers Leaving the Lumière Factory

Name: Workers Leaving the Lumière Factory
Director: Louis Lumière
Released: 1895
Duration: 1 min

Representation Score

1.2/10

Minimal

1895

Not Rated

Director

Louis Lumière

Runtime

1 minutes

Average Rating

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New Showbiz Analysis

This early cinema film serves as a neutral observation of 19th-century industrial life. Without a constructed narrative, it cannot provide intentional character development or thematic challenges. The low diversity scores reflect the historical context and the film's role as a documentary snapshot. It captures a specific demographic of Lyon, France, without diverse identities or critical themes. Ultimately, the film upholds the traditional social and gender hierarchies of the 1890s without challenging them.

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Category Breakdown

Does Workers Leaving the Lumière Factory have LGBTQ+ representation?

Minimal

The film captures a working-class crowd without showing any non-binary gender identities or same-sex relationships.

How does Workers Leaving the Lumière Factory portray gender?

Limited

Men in industrial clothing dominate the scene, while women are present but have no individual ability to act and appear as part of a group.

How racially and ethnically diverse is Workers Leaving the Lumière Factory?

Limited

The subjects are mostly a homogeneous group of European workers. The film does not show a diverse ethnic mix, focusing instead on a specific local population.

How does Workers Leaving the Lumière Factory represent religion and culture?

Fair

The film offers a straightforward look at the industrial working class and early capitalism. It does not include an ideological critique or commentary on Western institutions.

Does Workers Leaving the Lumière Factory include disability representation?

Minimal

There is no visible representation of disabilities. The subjects appear to be able-bodied workers leaving the factory.

Present on Screen

Offers a rare, candid glimpse into the realities of the 19th-century industrial working class.

Limited or Absent

Lacks diverse representation of various identities.
Women do not have individual ability to act or prominent roles.
Shows a homogeneous European demographic without ethnic diversity.

Official Synopsis

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

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