
Decasia: The State of Decay
2002

2017
Director
Bill Morrison
Runtime
120 minutes
Average Rating
No ratings yetSynopsis
The true history of a collection of some 500 films dating from 1910s to 1920s, which were lost for over 50 years until being discovered buried in a sub-arctic swimming pool deep in the Yukon Territory, in Dawson City, located about 350 miles south of the Arctic Circle.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film serves as a visual montage of archival celluloid from the 1910s and 1920s. It contains no explicit depictions of LGBTQ+ identities or non-heteronormative narratives.
Gender Representation
The archival footage presents a snapshot of frontier life where traditional gender roles are visually present. Women appear within the social structures of the era rather than as agents of subversion.
Racial & Ethnic Diversity
The documentary captures the multi-ethnic composition of the Klondike era. It provides visibility into Indigenous populations and various immigrant groups, including Chinese and European settlers.
Religious & Cultural Diversity
The film disrupts heroic myths of Western expansion by focusing on the decay of the medium. It presents the era as a series of ephemeral, decaying moments rather than a triumphant saga.
Disability Representation
There is no discernible focus on disability, neurodivergence, or chronic illness. The footage prioritizes the social and environmental atmosphere of the Yukon over individual health studies.
Strengths
Areas for Improvement
AI Analysis
Bill Morrison’s documentary functions as a cinematic essay on memory and decay, utilizing found footage from a sub-arctic swimming pool. Because the material is strictly historical, it lacks modern identity politics or explicit progressive narrative arcs. While the film lacks character-driven representation, its structural approach challenges polished, official histories of the West. It replaces traditional myth-making with a fragmented, postmodern view of a disappearing past. The diversity present is a byproduct of the historical era's multi-ethnic reality rather than intentional modern casting. The film captures a melting pot of settlers and Indigenous people, providing a more complex view of the frontier than a homogeneous Western narrative.

2002

1997

2017

2018

1994

2003

2006

2015

2017

1963

1927

2021
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.