The film adheres to a strictly heteronormative structure. There is no presence of queer subtext or non-cisnormative identities within the character dynamics.

The narrative focuses almost exclusively on a male-dominated criminal underworld. Women serve primarily as romantic interests or domestic anchors with minimal agency to drive the plot.

The cast is predominantly white and Anglo-Saxon, reflecting the era's production standards. The film lacks significant minority characters with meaningful agency.

The film provides a nuanced look at the failure of Prohibition. It highlights the friction between government mandates and the rise of an informal economy.

No visible or invisible disabilities are portrayed as central to the character arcs. Disability is not used as a narrative device in this story.