The film lacks explicit LGBTQ+ identities or non-heteronormative romantic arcs. While sexual politics are intense, characters focus on survivalist sexuality rather than queer identity.

Women are portrayed as active, autonomous participants in the socioeconomic underworld. They demonstrate pragmatic resilience and agency, subverting traditional domesticity and passive victim tropes.

The cast is ethnically homogeneous, reflecting a Japanese production of the era. However, it avoids sanitized depictions by focusing on the gritty realities of the urban underclass.

The narrative excels by critiquing traditional institutions and centering the moral relativism of the black market. It portrays formal laws as insufficient for the marginalized.

There are no prominent depictions of visible or invisible disabilities. The story prioritizes the socioeconomic and psychological tolls of the post-war environment.