
The Goddess of Tahiti
1953

Representation Score
Limited
1951
Director
John Gilling
Runtime
71 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This film is a traditional mid-century British suspense drama that adheres to the social norms of its time. While it provides a strong female lead, the narrative lacks depth in terms of diverse identities. The production reflects the historical homogeneity of 1950s genre cinema, focusing on localized social tensions without challenging broader societal norms. The film operates within the conventional storytelling norms of its era, limiting its diversity profile.
Category Breakdown
The film focuses on a heterosexual relationship between the main character and a smuggler. It does not depict any non-cisgender identities or same-sex relationships.
The female lead demonstrates significant influence by running a bar and upholding her own moral code. However, she is still restricted by the male-dominated society of the village.
The setting is a predominantly white rural village in England. There are no characters of color represented.
The story delves into the conflict between local smugglers and legal authorities. It highlights community paranoia without critiquing Western institutions or secularism.
There are no discernible depictions of visible or invisible disabilities. Characters are defined by their social roles and involvement in the central crime plot.
Present on Screen
Limited or Absent
Official Synopsis
The former wife of a criminal moves to a coastal town and takes over the running of a bar known as The Quiet Woman. She becomes outraged when she discovers the previous owner had allowed local smugglers to use it as a base. She soon has become romantically involved with one of the smugglers, which causes enormous problems when a customs officer turns up, followed closely by her former husband.

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1952
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