
It's All About Karma
2017

2022
Director
Edoardo Falcone
Runtime
92 minutes
Average Rating
No ratings yetSynopsis
In 19th-century Papal Rome, Bartolomeo is a wealthy and greedy parvenu who craves a noble title. While trying to raise the money he needs to strike a deal with a prince for the hand of his daughter, he'll find himself caught in a magical journey between past, present and future. Assisted by some rather illustrious companions, he'll have to come to terms with whom he really is and give his life a new meaning.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit engagement with queer narratives or non-heteronormative identities. The plot focuses on transactional marriage and class mobility within a 19th-century framework.
Gender Representation
Female characters appear limited to traditional roles of marriageability and social leverage. The narrative centers on a patriarchal structure where a daughter is used as a commodity.
Racial & Ethnic Diversity
The setting suggests a historically homogeneous European cast. There is no confirmation of non-white characters despite the potential for diversity through the film's temporal shifts.
Religious & Cultural Diversity
The story offers a critique of greed and social hierarchies. It uses a magical journey to deconstruct the rigid structures of 19th-century Papal Rome.
Disability Representation
There is no information regarding the portrayal of physical or neurodivergent characters in this production.
Strengths
Areas for Improvement
AI Analysis
The Prince of Rome functions as a traditional period comedy centered on individual moral evolution. While the magical journey between eras offers a unique narrative structure, the film remains anchored in the social norms of its historical setting. The production prioritizes class struggle and the protagonist's personal reckoning over systemic social critique. This focus results in a narrative that largely adheres to conventional historical archetypes rather than subverting them. Ultimately, the film lacks the intersectional depth required for a higher diversity score. It explores personal identity through the lens of social climbing without expanding into broader representation.

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