The film follows a strictly heteronormative structure. There is no presence of non-cisnormative identities or any critique of traditional gender and orientation.

Agency is concentrated in male protagonists, specifically the NYPD sergeant and the Jesuit priest. Female characters are relegated to secondary roles, often serving as victims or emotional catalysts.

The narrative maintains a predominantly white, Anglo-centric perspective. Despite the diverse New York City setting, the focus remains on a homogeneous group of protagonists.

The story uses the Catholic Church as a central pillar of defense. It frames conflict through a binary of absolute good versus evil, reinforcing established religious authority.

Psychological distress is used primarily as a plot device to heighten tension. Mental instability is framed as a character flaw or supernatural influence rather than independent agency.